“… a truly unique night of theater…” – Ben Demers (dctheatrescene.com)

With Under the Shadow of Wings, Ambassador Theater has staged a double bill of dramatic visions so vivid and absorbing they feel almost like lucid dreams. …. a truly unique night of theater … Bondarewska’s gutsy performance and the arresting sights and sounds accompanying the action carry the day.

I, for one, had to collect my bearings after experiencing the dizzying blend of traditional morality play, esoteric performance art, and delirious monologue.

In a landscape of familiar dramatic tropes, it’s refreshing to be occasionally thrown for a loop.  www.dctheatrescene.com/

“Exciting…perfect performances… This is a highly recommended evening of theater” – Bob Anthony (allartsreview4u.com)

Ambassador Theater continues its mandate to present foreign plays and with “Under the Shadow of Wings” there is almost no obvious weakness in the playing and technicals. “Karna and Kunti” by Indian poet/playwright,Rabindranath Tagore, is strongly symbolic with godlike references as it is taken from the Indian epic, “The Mahabarata”, which in this playlet tells of a rejecting mother trying to come to terms with her son who is facing death at the hands of his brother. Gavin Whitt with his cat-like movements and Meera Narasimhan with her wonderful hand gestures give intriguing performances in staccato fashion expected of Indian portrayals. “Death of Tintagiles” tells the tale of two sisters who attempt to defeat the fates who are classically determined to capture their young brother…amazingly performed by young, relaxed Michael Ryjik. Hanna Bondawerska dominates the playing with superb Grecian-like style as she rants and raves particularly during the tragic ending. Others in this playlet are Paula Rich, Rob Weinzimer and the three servants (of fate), Mary Suib, Gavin Whitt and Meera Narasimhan. The technicals are most exciting and top rate in the hands of David Crandall (music, sound and visual design), Marianne Meadows (lights), Andrzej Pinkowski (set) and Caridel Cruz (costumes). Fine credit is given to David Willinger and Daniel Gerould who translated these stories by Tagore and Maeterlinck and especially to Mr. Willinger who managed to get perfect performances from his cast. This is a highly recommended evening of theater from the “new kid around the theatrical block”. (Reviewed by Bob Anthony) http://allartsreview4u.com/

“With interesting visual and sound effects, and sincere acting, Under the Shadow of Wings is an opportunity to experience an early symbolist play and a portion of the Sanskrit epic The Mahabarata.” – Laura & Mike Clark  (showbizradio.net)

NOT MY LABEL: A JOURNEY OF DISCOVERY

By Donisha A.  

 

Indiestry Exec Donisha A. interviewed writer and performer Rula before her first performance of a monologue titled “Not My Label: A Journey of Discovery.” During the interview Rula expressed her views on societal labels, taboo themes and performing on stage.

 

On Friday Jan. 15, excitement and nervous energy filled the air as writer and performer Rula stepped on stage at the Washington, D.C.-based Flashpoint’s Mead Theatre to perform “Not My Label: A Journey of Discovery”. This was the writer’s first time performing a monologue, but it was not evident in her performance.

 [Press Photo]

Presented by Ambassador Theatre International Cultural Center (ATICC), “Not My Label” is based on the true events surrounding the aftermath of an extramarital affair . This deeply-personal story unfolds as the main character is banished by her friends and family. She then, goes on an emotional journey to regain her power and integrity. 

“This piece that I am performing today started from a novel that I am writing,” Rula said “As I was writing ‘In the Box’ I said ‘this really happened to me.’”

After this realization, Rula embarked on a journey to bring her story to life on the stage.

“['Not My Label'] is an in-your-face portrayal of people being labeled,” Rula said. “And the subject matter is controversial. [“Not My Label”] is about what this woman goes through after a very interesting love affair takes place.”

Rula said that she focuses on taboo issues “because no one wants to speak about them.”

“My goal is to push the envelope of cultural taboo,” Rula said.  “[My stories] are pretty raw. I don’t care how people react because I write from fear…fear of failing. That’s what helps me overcome writer’s block. One of the catalysts for me to write really has been from fear and it keeps me going through personal problems, to put it out there.”

Although Rula has received accolades for her form of self-expression, she realizes that a number of people may not agree with the themes that she expresses in her short stories.

“[‘Not my Label’] is so controversial that people have threatened me,” the writer said. “It’s a very taboo subject.”

In “Not My Label” Rula proclaims: “There is right and wrong, and there is anomalies. I have never been in your box!”

ZOLOFT NATION

Another one of Rula’s deeply-personal stories, “Zoloft Nation” gives readers a glimpse into the life of a woman who is battling depression. 

When crying became my only means of expression; when fatigue was my partner in bed. I began family therapy because it seemed to be the appropriate choice of action. I was dubbed as mildly depressed after spewing the symptoms which included anger. I resisted the route of medication years prior, being the first to haughtily deem it as “an easy out”; I started to consider it as a last resort to regain sanity. Finally I merged with the others in the private confines of healing.

~Excerpt from “Zoloft Nation” (Rula, 2009)

In “Zoloft Nation” Rula proclaims: “The first thing to do is Realize, Recognize and Regain yourself.”

“It’s taboo to be considered depressed,” Rula said. “‘[Zoloft Nation]’ was about my situation at the time—humbly accepting help.”

Read the full text of “Zoloft Nation”.

THE HONOR CODE

 In “The Honor Code”  Rula tells the story of a father who is upset with his daughter for abandoning traditions and embarking into an interracial relationship.

He braced his foot a few inches from the gas pedal. This was the moment he had been waiting for, never contemplating the consequences. He could only imagine his father’s tired eyes and his family’s curled lips if they knew about Sabeen. Anil had boasted that his daughter was skilled in the Urdu language and that he had raised her to abide by their traditions, even oceans away from their native country.

~Excerpt from “The Honor Code” (Rula, 2010)

Read the full story at the bottom of the page, to find out how it ends!

RULA THE ACTOR

 Rula has endured a number of hardships due to her subject matter and honesty; however, she said that through it all, women have supported her journey.

“Women have been my anchor,” the performer said. “Every time I’m going somewhere, these ladies are coming with me, because in the end, we are nothing without each other. It’s the truth”

One of Rula’s supporters is her acting coach and mentor, Lilia Slavova. Slavova has been acting and directing for 35 years. Rula and Slavova met in December 2009. Since that time, they have been working to enhance Rula’s acting skills.  

“I believe in fate. Lilia and I hit it off and I told her about my story—the idea behind me pushing the envelope,” said Rula.

“[Rula] contacted me for her child who wanted to act,” Slavova said. “She asked if I could see her as an opportunity. I am on the board as a mentor [at ATICC], and once I heard her story I had to accept.”

 

 

 

 [Rula and acting coach/mentor Lilia Slavova]

[By Donisha A.]

ME, MYSELF AND THE OTHERS

Rula is self-publishing a book of short stories and poems titled “Me, Myself and the Others“.

“I’m looking for short-fiction stories, as well as moving poems from start-up writers,” Rula said. “Basically, I’m looking for bold, capturing pieces. Not too lengthy.  Short story fiction is my genre and the weirder, the better. This is a good way for artists to join me in my collection. They will receive the notoriety by being included in a publication and feel good about their work. No money is involved, but it is an attempt to spread the word of new artists.”

GAINING CLOSURE

The independent writer and performer hopes that one day, her work will be received on a larger scale—much like that of well-known writers who have a number of resources.  

“One of the things that anger me as a writer…I read a review of a short fiction writer and they said it was the best short story ever,” Rula said. “And I said ‘if they think that she is great then I have nothing to lose.’”

 

Rula said that although it is difficult to discuss deeply-personal issues, she gains closure every time she performs in front of people or writes a story.

“Through performing and writing…I call that the least expensive therapy,” Rula said. “And through the pain of characters, I get through my day. The more I perform [“Not My Label”], the more resolution I will come to.”

 

Contact Rula at rularealtor@mris.com if you would like to submit short stories or poems to be included in “Me, Myself and the Others.”

                                                                                                                                                                                   [By Donisha A.]

THE HONOR CODE (FULL TEXT)

By Rula

Anil Pujabi sat in his dusty grey SUV, his mangled face of contempt hidden by the tinted windows. The mix of hatred and rage morphed his face, causing his right eye to bulge and twitch sporadically. He could hear the leather seats squeal against the shift of his weight. Other than the hum of the cars drifting by, there was a heavy silence. He’d been in the confines of his car now for five hours; the heat of the day producing slick beads of sweat melting into his eyes. He sat staring through people, seeing them as pebbles bouncing by; meanwhile spied a curious couple across the street, oblivious to their surroundings. He watched them prancing between stores, smiling and inhaling the liberating breath of the day as he suffocated in his anguish.

Twenty five years ago Anil left his hometown, Islamabad. He had refused the expectation that he would be defined solely as the son of a shop owner, or settle for a prearranged marriage. He also objected to the rigorous religious teachings forced upon him. He saw himself as a prisoner of an oppressed regime and preferred the words of poetry to the brash dialogue of politics. He scrounged enough rupees from odd jobs and extra hours at his father’s shop, to buy him a ticket to freedom. Anil practiced everyday in front of his crooked mirror reciting one hundred times “I will go to America,” believing his words would make it possible. He prepared weeks in advance for his interview with the Embassy to show them that he was different than the others applying, that he was a believer of freedom, and thus worthy of entry into their Kingdom. He was granted entry avoiding a painful burial in a cocoon of rituals.  Anil caught himself snicker out loud at this recollection, thinking how he had not prospered as he thought, becoming a laborer instead of an entrepreneur. His aspirations had dwindled and his traditional thoughts managed to hold him back. Realizing that this Kingdom was only different from his hometown by virtue of the mixes of races, he felt defeated. Anil had entered a different type of ritual: The Rat Race. His flashbacks of what could or should have been kept taunting him making him feel like a failure.

It was her hair that caught his attention, causing him to sit erect. It glistened in the sun’s rays, and he could almost smell the Neem hair oil used to give it sheen. He was interrupted briefly from his passage back in time when he saw her. The couple he had seen earlier was now less then five feet in front of him. Anil never saw himself as racist, but the man’s tall athletic built and his eggplant polished skin repelled him. He was of the mindset that races do not mix.  She was familiar to him, yet not so familiar. Once he recalled he had helped her apply the oil to her strands, encouraging her to let it grow beneath her hips. Now, he imagined his fists pulling at her ends as he took a sharp knife, as he chopped of the long tresses. This could not be his precious Sabeen that he had raised for eighteen years, standing here against tradition and honor with a man that was not Pakistani, but black as midnight. She ridiculed him publicly, he thought. He had been lead to her deceit months earlier when he found a stash of love notes under her tattered mattress. A good girl did not date, and certainly a good Pakistani girl would not date outside her race.

He braced his foot a few inches from the gas pedal. This was the moment he had been waiting for, never contemplating the consequences. He could only imagine his father’s tired eyes and his family’s curled lips if they knew about Sabeen. Anil had boasted that his daughter was skilled in the Urdu language and that he had raised her to abide by their traditions, even oceans away from their native country. He saw the couple approaching his vehicle and he wanted to push the weight of his grief down on the pedal, ridding himself of his daughter’s betrayal. He had raised her to be honest, loving and traditional. He hated himself then, thinking of his hypocrisy, thinking of how he was no different than his predecessors. He fought back the bitter taste of vile rising from his parched throat, fighting with himself for what he was about to do. In the frozen moment that seemed to linger, he watched the couple cross the street in front of him. Sabeen’s sudden duck in the middle of the street, searching for a dropped ruby earring reminded him of her tender years of playing hide-and-seek. He had giggled freely with her and tumbled on the sprawling hill of the park, enjoying her youth with her. Suddenly, she bolted upright noticing the hum of the engine, meeting for the first time her father’s eyes. Her light speckled eyes widened with fear as she registered the man behind the wheel as her father. In an instant, Anil’s arm buckled to the Reverse button, his dead eyes staring as he reversed.

He would be proud as he drove away that day, leaving his daughter shaking in the street to have defied the brutal honor code he should have carried out. Although Sabeen was dead to him fro now on, he fought the urge to repeat the cycle of vengeance. Anil would only be doing this for the sake of the culture he had refuted. His honor was by turning away and dispelling the ignorant paradigm.

http://indiestry1-2.webs.com/rulanotmylabel.htm